Following is the
flow of the third of the six part special, Rasa & Bhava in Music and in
this link; we discuss in detail the duality factor in Indian classical music:
- snippet of baadal ghumad badh aaye (Saaz,
1997)
- explaining the
duality factor in Indian classical music
- Musicologist
Sharangdeva’s theory of co-relating of rhythm and rasa
- Tabulation of
using the correct tempo to convey the desired emotion
- How a different rasa can be created utilizing dynamics like volume levels
- snippet of abhi na jao chhod-ke (Hum Dono,
1961)
Hope you enjoy listening to the show, Bollywood
Rewind: Rasa & Bhava in Indian Music (03 of 06) –
I
do not own rights for the songs and the visuals used in this video. If any
concerned individual or an organization has an objection to the music or
visuals used here, kindly notify me and I’ll promptly pull it down.
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